Always Magic In the Air: The Bomp and Brilliance of the Brill Building Era
I said I’d be back, and this time I was (apparently) telling the truth.
About a month ago I was trolling through one of my favorite music related sites and found a couple of books I wanted to read at a steep discount, so I grabbed them.
One of these was today’s selection, ‘Always Magic In the Air: The Bomp and Brilliance of the Brill Building Era’ by Ken Emerson.
Being a huge Leiber and Stoller fan, this book caught my eye when it first came out in hardcover, and at the time it seemed a little slim to be dropping more than twenty bucks, so I passed, figuring I’d grab it in paperback (after which I promptly forgot about it).
So I ordered it, placed it on the “to be read” stack where it sat for a few weeks. I finally finished what I’d been reading, picked it up and didn’t put it down until this afternoon when I finally got to the end.
First off, if you have any interest in American pop music of the 1960s, and the brilliant people that wrote, produced and released it, this book is indispensable. My initial mistake of assuming that the book was insubstantial (it clocks in at around 260 pages) was a huge one, since the tome is well researched and densely packed with musical history. My wife actually asked me why it was taking me so long to read, and my reply was that it was taking that long to ingest all the information.
Emerson is an excellent writer with a real feel for the people he was writing about, mainly the songwriting teams of Doc Pomus and Mort Shuman, Jerry Leiber and Mike Stoller, Carol King and Gerry Goffin, Neil Sedaka and Howard Greenfield, Jeffy Barry and Ellie Greenwich, Barry Mann and Cynthia Weil and Burt Bacharach and Hal David.
Using those duos as a starting point, Emerson weaves his was through the song publishing and record business of the 1960s, incorporating business wizards like Don Kirshner, various and sundry gangster record label owners and (of course) musicians and performers.
The book is full of revelations about the creative processes of these composers, the ups and downs of their careers and the evolution of American popular music from the early days of rock’n’roll, through the teen pop era and right on into (and past) the psychedelic era.
If you’re a record collecting nut – like myself – you’ve been reading these names on record labels and album covers your entire life, and Emerson gives you a real feel for their lives and their art with tons of detail, laid out in an epic fashion, fitting the subject matter.
‘Always Magic In the Air’ is one of those music books that’s going to go right up on the shelf in my record room to be used a reference.
Next up: Victory of Eagles by Naomi Novik